For some reason, Blogger keeps shoving the table to the bottom of the page. So. It's down there.
 |  |  |
|---|---|---|
| Has played in various VK bands | Was in Malice Mizer | Has played in nearly every band in existence (Including Antifeminism and Dir en grey's first incarnation) |
| Has a solo project, is now in somewhat of a supergroup | Has a solo project | Has a solo project, leads a |
| Plays guitar, loves solos | Plays guitar, loves tremelo picking | Plays.. bass |
| Synth, synth, and more synth | Harpsichord, piano, and gothic soundscapes | ..synth? |
| Power metal | Gothic metal | Visual kei |
| Is on.. some label | Owns a label, only he is active on it | Owns a label, steals people's money with it |
| Mad guitar skills | Fashion label, models it himself | Tax evasion |
| Is going places | Has been places | Is in places |
| Monotonous music | Uninspired music | Boring music |
So, Hizaki's got the talent, Mana's got the brains, and Kisaki's got the money and connections. So, who wins? Mana. Mana has been in an amazing band, one of about 8 90's visual bands that people can name right off the top of their heads, started a craze of fangirls thinking he started the lolita fashion, dominates GLB, and while he's at it, swiftly earns the money of die hard fans across the globe. How does he do it? I don't know. Kisaki, however, I can understand why he's so rich and how he dominates Cure with a band that was supposed to be disbanded like a year ago.